Indiana University Bloomington Libraries
William and Gayle Cook Music Library
 
 
 

Seminar in Music Librarianship (L631)

Music Publishing
(Mary Davidson)

BIBLIOGRAPHY

General

Broido, Arnold, [et al.]  An Introduction to Music Publishing: A Tour through the Music Publishing Operations Involved in Transforming the Composer's Manuscript into a Printed  Publication and Its Dissemination to the Student and the Performer, including Articles on Contemporary Music, Music Publishing, and Related Areas. Preface by Joseph Machlis;                        [edited by Carolyn Sachs].  New York, N.Y.: C.F. Peters, 1981.  ML112 .I58

The Dissemination of Music: Studies in the History of Music Publishing. Ed. Hans Lenneberg. N.p.: Gordon and Breach, 1994.  ML112.D577.

Heinsheimer, Hans W.  Best Regards to Aida: The Defeats and Victories of a Music Man on Two Continents. New York: A. A. Knopf, 1968.  ML427.H4A32.  Heinsheimer was the opera editor for Universal Edition in Vienna before WWII, and for G. Schirmer in New York.

Krummel, D. W. Guide for Dating Early Published Music: A Manual of Bibliographical Practices. Hackensack, NJ: J. Boonin, 1974.  Reference ML111.K94 (2 copies)

__________. The Literature of Music Bibliography: An Account of the Writings on the History of Music Printing & Publishing. Berkeley, CA: Fallen Leaf Press, 1992.  Reference ML112.K75L5

Lenneberg, Hans. On the Publishing and Dissemination of Music, 1500-1860.  Hillsdale, NY: Pendragon Press, 2003.  ML112.L45.

Music and the Cultures of Print. Ed. Kate van Orden.  New York: Garland Pub., 2000.  ML112.M84

Music Printing and Publishing. Ed. D. W. Krummel and Stanley Sadie. New York: W. W. Norton, 1990.  Reference ML112.M86. (Another copy in the stacks, and mwd has a personal copy in the office.)

Proceedings, First International Conference on WEB Delivering of Music: WEDELMUSIC 2001, Florence, Italy, 23-24 November 2001. Ed. Paolo Nesi, Pierfrancesco Bellini, Christoph Busch.  Los Alamitos, CA: IEE Computer Society, 2001.  ML73.5.I58 2001.

Proceedings, Second International Conference on WEB Delivering of Music: WEDELMUSIC 2002, Darmstadt, Germany, 9-11 December 2002. Ed. Christoph Busch . . . [et al.]  Los Alamitos, CA: IEEE, 2002.  Frontlog (Book) 5436521

Proceedings, Third International Conference on WEB Delivering of Music: WEDELMUSIC 2003, Leeds, United Kingdom, 15-17 September 2003.  Ed. Kia Ng . . . [et al.]  Los Alamitos, CA  IEEE, 20002.  Frontlog (Book) 5657373

Sanjek, Russell.  Pennies from Heaven: The American Popular Music Business in the Twentieth Century.  Rev. by David Sanjek.  New York: Da Capo, 1996.  ML200 .S16 1996

Whitsett, Tim. Music Publishing: The Real Road to Music Business Success. Rev. and expanded 4th ed.  Emeryville, CA: MixBooks, 1997.

National or regional studies

Agee, Richard J.  The Privilege and Venetian Music Printing in the Sixteenth Century.  Ph.D. diss, Princeton University, 1982.  Frontlog (Microfilm) ACA5276.

Beer, Axel. Musik zwischen Komponist, Verlag und Publikum: Die Rahmenbedingungen des Musikschaffens in Deutschland im ersten Drittel des 19. Jahrhunderts.  Tuzing: Schneider, 2000.  ML112.B46

Bernstein, Jane A.  Print Culture and Music in Sixteenth-Century Venice.  New York: Oxford University Press, 2001.  ML112.B5

Boorman, Stanley H. “The Music Publisher’s View of His Public’s Abilities and Taste: Venice and Antwerp.” In, “Music Printing in Antwerp and Europe in the 16th Century.” Yearbook of the Alamire Foundation 2 (1995): 405-429.  ML265.2 .M8

Coover, James, comp. Music Publishing, Copyright, and Piracy in Victorian England: A Twenty-five Year Chronicle, 1881-1906, from the Pages of the “Musical Opinion” & “Music Trade Review” and Other English Music Journals of the Period.  London, New York: Mansell, 1985.  ML286.9.M87

Dell’Ara, Mario. Editori di musica a Torino e in Piemonte. 2 vols. Torino: Centro studi Piemontesi: Istituto per i beni musicali in Piemonte, 1999.  ML112.D35

Devričs-Lesure, Anik. “Paris and the Spread of Music Publishing between 1700 and 1830.”  In, “La diffusion de la musique en Europe, 1600-1900. Revue de musicologie 84, no. 2 (1998): 293-98.  ML5 .R38

Epstein, Dena. Music Publishing in Chicago before 1871: The Firm of Root and Cady.  Detroit Studies in Music Bibliography, 14.  Detroit: Information Coordinators, 1969.  Reference ML118 .D48 v. 14 (another copy in stacks, and one “In Process” as ML112.E7.

Gosálvez Lara, Carlos José. La edición musical espańola hasta 1936: Guía para la datación de partituras.  Madrid: Asociación Espańola de Documentación Musical, 1995.  ML112 .G67 1995

Hopkinson, Cecil.  A Dictionary of Parisian Music Publishers, 1700-1950.  London [privately printed], 1954.  Reference ML112 .H79.

__________. Notes on Russian Music Publishers.  [Bath, Eng.] Printed for private distribution to the members of the International Association of Music Libraries at the Fifth International Congress, Cambridge, June 29th-July 4, 1959. [Photocopy]  Reference ML112.H79 N6

Humphries, Charles, and William C. Smith. Music Publishing in the British Isles, from the Beginning until the Middle of the Nineteenth Century: A Dictionary of Engravers, Printers, Publishers, and Music Sellers, with a Historial Introduction.  2nd ed. with suppl.  New York: Barnes & Noble, 1970.  Reference ML112.H92 1970.

Iglesias Martínez, Nieves. La edición musical en Espańa.  Madrid: Arco/Libros, 1996.  ML112 .I35

Kidson, Frank.  British Music Publishers, Printers and Engravers: London, Provincial, Scottish, and Irish, from Queen Elizabeth’s Reign to George the Fourth’s, with Select Bibliographical Lists of Musical Works Printed and Published within That Period.  New York: B. Blom, 1967. Reference ML106.G7K4

Krohn, Ernst. Music Publishing in St. Louis.  Completed and ed. by Bunker Clark. Bibliographies in American Music, 12. Warren, MI: Harmonie Park Press, 1988.  ML112 .K73

__________.  Music Publishing in the Middle Western States before the Civil War.  Detroit studies in music bibliography, 23.  Detroit, Information Coordinators, 1972.  Reference ML118 .D48 v. 23

Lost & Only Sometimes Found: A Seminar on Music Publishing and Archives Held on 19 May 1990 at the British Music Information Centre under the Chairmanship of Michael Oliver—Proceedings. Ed. Lewis Foreman. Upminster: British Music Society, 1992.  ML112.L88 1992

Mona, Ilona. Magyar zenem”ukiadók és tevékenységük, 1774-1867.  Budapest: MTA Zenetudományi Intézet, 1989.  ML112.M66

Oppermann, Annette. Musikalische Klassiker-Ausgaben des 19. Jahrhunderts: Eine Studie zur deutschen Editionsgeschichte am Beispiel von Bachs Wohltemperiertem Clavier und Beethovens Klaviersonaten.  Göttingen: Vandenhoeck & Ruprecht, 2001.  ML112.O67. Originally presented as doctoral dissertation, University of Hamburg, 2000.

Schaefer, Hartmut. Die Notendrucker und Musikverleger in Frankfurt am Main von 1630 bis um 1720.  Catalogus musicus, 7.  2 vols.  Kassel, Basel, Tours, London: Bärenreiter, 1975.  Reference ML113 .C35 v.7

Thorson, Theodore Winton. “A History of Music Publishing in Chicago, 1850-1960.”  Ph.D. diss., Northwestern University, 1961. Microfilm ML232.

Weinmann, Alexander. Wiener Musikverleger und Musikalienhändler von Mozarts Zeit bis gegen 1860: Ein Firmengeschichtlicher und topographischer Behelf. Wien: In Kommission bei R. M. Rohrer, 1956.  Reference ML112.W43 [another copy in Main Library: AS182.V63 v.230, pt. 4

Wibert, Albert. Den svenska musikhandelns historia.  Stockholm: Svenska Musikhandlare Föreningen, 1955.  Frontlog (book) AM2349

Individual publishers

[André:] André, Ute-Margrit and Hans-Jörg André. 225 Jahre Musikverlag Johann André: Festschrift zum Jubiläum. Offenbach: J. André, 1999.  ML112.A12  See also item cited under Rehm, Wolfgang, in the category below.

[André:] Constapel, Britta. Der Musikverlag Johann André in Offenbach am Main: Studien zur Verlagstätigkeit von Johann Anton André und Verzeichnis der Musikalien von 1800 bis 1840.  Tutzing: H. Schneider, 1998.  Reference ML427.A53C66

[Arsis:] Worland, Gayle.  “Clara Lyle Boone: Pioneer in Music Publishing.”  IAWM Journal 3, no. 2 (June 1997): 16-18.  ML82 .I28. Also available at http://music.acu.edu/www/iawm/articles/june97/worland.html or http://www.instantweb.com/a/arsispress/Arsisprssstory.html.

Boosey, William. Fifty Years of Music.  London: E. Benn, 1931.  ML427.B7

[Bote & Bock:] 150 Jahre Bote & Bock Musikverlag und Musikalienhandlung in Berlin 1838-1988. Berlin: Bote & Bock, 1988.  Frontlog (book) CBA6403

[Breitkopf und Härtel:]  Der Bär: Jahrbuch von Breitkopf und Härtel . . . , 1924-29, 1930.  Film ML 1332 v.1-2 1924-1929,1930. (Volumes for 1924 and 1925 available in hardcopy: ML5 .B37)

[East:] Smith, Jeremy L.  Thomas East and Music Publishing in Renaissance England.  Oxford, New York: Oxford University Press, 2003.  ML427.E27S65

[Gardano:] Agee, Richard J. The Gardano Music Printing Firms, 1569-1611. Rochester, NY: University of Rochester Press, 1998.  ML145.G25A33

[Gardano:] Lewis, Mary S. Antonio Gardano, Venetian Music Printer, 1538-1569: A Descriptive Bibliography and Historical Study. New York: Garland Pub., 1988-    . Reference ML 134.5.G47L5  (2 vols. published to date, covering 1538-1559)

[Hofmeister:] Tradition und Gegenwart: Festschrift zum 150 jährigen Bestehen des Musikverlages Friedrich Hofmeister.  Leipzig: F. Hofmeister Musicverlag, 1957. ML112.T73

[Hug:] Müller, Samuel F. Aus 150 Jahren: Hug and Co.: Musikalien und Instrumente, 1807-1957. Zürich: Hug & Co., 1957.  ML424.H89M94.

[Laet—See Waelrant below]

[Novello:] Cooper, Victoria L. The House of Novello: Practice and Policy of a Victorian Music Publisher, 1829-1866.  Aldershot, Hants, England; Burlington, VT: Ashgate, 2003.  ML427.N989C66

[Peters:]  Bucholtz, Erika. Henri Hinrichsen und der Musikverlag C. F. Peters: Deutsch-jüdisches Bürgertum in Leipzig von 1891 bis 1938.  Tübingen: Mohr Siebeck, 2001.  ML427.P32B83

[Peters:] Lawford-Hinrichsen, Irene. Music Publishing and Patronage: C. F. Peters, 1800 to the Holocaust. Kenton, England: Edition Press, 2000.  ML427.P32L39.

Peters Notes v.1, no. 1–v. 3, no. 1 (1977/78–1980).  ML1.P12

[Peters, W. C.:]  Wetzel, Richard D.  Oh! Sing No More that Gentle Song: The Musical Life and Times of William Cumming Peters (1805-66). Detroit Monographs in Musicology/Studies in Music, 30.  Warren, Mich. : Harmonie Park Press, 2000.  ML427.P33 W48

[Schott:] Gedruckte Musik: 225 Jahre Musikverlag Schott in Mainz.  [Mainz?]: Gutenberg-Museum, 1995.  ML427.S3.G43

[Schott:] Haack, Helmut. “Musikforlaget Schott under 200 ar.” Musikrevy 25, no. 4 (1970): 184-87. [In Swedish]  ML5 .M9854

[Scotto:] Bernstein, Jane. Music Printing in Renaissance Venice: The Scotto Press, 1539-1572.  New York: Oxford University Press, 1998.  ML405.B47.

[Universal Edition:] Der Musikverlag und seine Komponisten im 21. Jahrhundert: Zum 100-jährigen Jubiläum der Universal Edition. Ed. Otto Kolleritsch.  Wien: Universal Edition, 2002.  Frontlog (Book) 5392435

[Waelrant:] Weaver, Robert Lee.  Waelrant and Laet: Music Publishers in Antwerp’s Golden Age.  Detroit Monographs in Musicology/Studies in Music, no. 15. Warren, MI: Harmonie Park Press, 1995.  ML405.W43

Relationships with composers

Gillies, Malcolm G. W.  “Bartók and Boosey & Hawkes: The European Years.” Tempo: A Quarterly Review of Modern Music 200 (April 1997): 4-7.  ML5 .T28.

Hopkinson, Cecil. A Bibliography of the Musical and Literary Works of Hector Berlioz, 1803-1869, with Histories of the French Music Publishers Concerned. 2d ed., incorporating the authors additions and corrections / edited by Richard Macnutt ; with a new foreword by Alec Hyatt King.  Tunbridge Wells, Eng. : R. Macnutt, 1980.  Reference ML134.B5 H7 1980

Pickering, Jennifer M.  “Printing, Publishing and the Migration of Sources: The Case of Carl Stamitz.” Fontes artis musicae 38, no. 2 (Apr-June 1991): 130-38.  ML5 .F68

Rehm, Wolfgang. Mozarts Nachlass und die Andrés: Dokumente zur Verteilung und Verlosung von 1854.  Offenbach am Main: Musikverlag Johann André, 1999.  ML112.A12 Suppl.  Supplement to the item by the Andrés cited above.

Ridgewell, Rupert M. “Mozart and the Artaria Publishing House: Studies in the Inventory Ledgers, 1784-1793.” Ph.D. diss., University of London, Royal Holloway, 1999.  Frontlog (book) 5409915

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Compiled by Mary Wallace Davidson, 29 Feb. 2004
URL: http://www.music.indiana.edu/muslib/L631/2004/readings/publishing.html
Copyright 2004, The Trustees of Indiana University